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Example |
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Color-
correcting reflected lights in shadows |
Here we targeted the reflected lights on the girls face and changed
them to the warm shades of light reflected from sand and water.
First we used color-range to include only reds and magenta. Then
we used brightness-range to exclude the bright colors. We shifted
the entire spectrum 20 degrees, but did not want to change the shadows
completely. So we set the target to the lightest value of the brightness-range
(165) and the softness to 80%. |
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The
Color (hue) control set |
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Color
(hue)...
change with the RGB channels |
The
first three sliders either raise or lower the specific color content
of the hue being edited. They control the RGB (Red, Green, Blue)
channels of the image, so removing a color will appear as an increase
of its complementary. The complementary colors are...
Cyan - Red
Magenta - Green
Yellow - Blue
Regarding cyan, magenta and yellow. If you want to make dark colors
any of these three, you will probably have to raise the two others.
F.ex. to make a dark color cyan, you have to raise green and blue
rather than lower red.
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Shift
entire spectrum |
This
will change each and every color the same amount by shifting its
placement in the color-circle. It ranges from -180 to 180 degrees,
so you can change a color to its complementary color. It is very
useful for removing color cast locally. We used it to remove the
purple cast in the girls face above. In combination with the color-range
and brightness-range you can easily change background colors.
If you have a blue and rotate the wheel 90° it will become green
or purple (depending on the direction), a green will become yellow
or blue and so forth. Rotate a blue 180° it becomes yellow -
as we did in the example where we targeted the blue sky and left
the trees unchanged.
Please see example of its use at the bottom of the tutorial.
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The
Brightness & Saturation control set o
the Photoshop pluginf
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Brightness
& Saturation
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These
are very rudimentary and not as subtle as the algorithms in the
specific plug-ins for the same operations.
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The
Brightness-range control set |
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Dark
limit
Light limit
Target
Softness |
Dark
limit - colors darker than this sliders value will not be changed.
Light limit - colors lighter than this sliders value will
not be changed.
Target - colors with this degree of lightness will be changed
the most (but if the softness-slider is set to 0 all will be changed
equally).
Softness - 100% will force the color changes to be applied
at full force only to colors that match the target value in brightness.
The effect will diminish the further a given color is from the target
value in brightness. When set to 0% all colors that are between
the dark limit and the light limit will be changed at full force.
Settings less than 100% narrow the range that gets changed at full
force and widens the effect of the fade-out range. So 100% will
softly integrate any changes.
This set of controls are very useful if you want to only change
background color or edit the hue of a shadow.
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The
Color-range control set
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From
Up to |
Colors
to the right of the From slider and to the left of the Up
to slider will be changed. You can place the top slider to the
right of the lower one to include both blues and green (f.ex). All
will set the sliders to include all colors.
These range controls are also good for targeting background colors
for single editing. In the example below we targeted the blue background
color of the sky.
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When
you check the Mask Unchanged checkbox all colors outside the limits
set by the brightness-range and color-range will be colored with
a monochrome color. In this case it is red, but you can change the
color by clicking in the colored rectangle.

This
is the setting we used to make the selection of blues ...
This is the before and after image. We simply reduced
brightness to deepen the overexposed sky. We did not change the
color -- so in this case you could have done the same with the brightness
editor plug-in.
 
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Tip |
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Tip |
First set the color-range and brightness-range (or vice-versa).
Then do the general color-correction and afterwards decide how to
set the softness and target. Finally tune the color-correction.
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Graduated effect |
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These
controls are common for many of the Power Retouche plug-ins. Using
graduated effect will cause the filter to apply it's filtering at
full strength in one side of the image and then fade the effect
out towards the other side. You can change direction by right clicking
the preview. Midpoint will shift the balance between how large an
area will be filtered at full strength and how much will have a
faded out effect. Contrast will change the accelleration and spread
of the fade-out.
In this example we applied a graduated effect to the top left corner.
By shifting spectrum towards purple we created more contrast to
the green grass and removed the greenish colorcast.

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Color values |
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This
lets you pick a spot in the preview and get the data of the colors
of the changed image in RGB and CMYK. L is the lightness in percent.
The values dR, dG, dB and dL show how many percent the RGB colors
and the lightness has changed.
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