| | The Brightness Levels control-group | |
Value divisions | This determines how many equidistant brightness-levels to divide the image into. If you set it to 0, you turn value dividing off (retain all levels as they are). The slider ranges from 1 to 128, but you will find the eye can't comprehend more divisions than about 50 levels, while 70 levels appear as a smooth gradation. Even just ten levels are hard to distinguish. Five is easy, as you can see from the illustration below.
If you have too many levels, then instead of being an aesthetic factor in the image, they will appear as poor gradients. Three to five work the best.
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Force Black
Force White | Force Black will set the darkest level to be as near black as possible. Force white will similarly set the brightest to near white. This is usefull as a basic contrast enhancement. | |
| The Color Levels control set | |
Hue divisions | Like value divisions, this Hue divisions divides the image into equidistant groups, but now the criteria is color hue and the hues placement in a full colorcircle. If you set it to 0, then you turn hue divisions off.
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Example of equidistant hues | This example illustrates the principle of equidistant colors.
Original image is the full spectrum palette of a regular color picker captured with a screenshot. We then filtered the full spectrum to have only three hue divisions. |  Original
|  3 hue divisions
|  3 hue divisions selection shift 50
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Selection shift | This slider changes the criteria for selecting areas of the original image. If you shift three divisions 50% you go from selecting cyan, magenta and yellow, to selecting red, green and blue. See illustration above.
This gives you full control over which primary colors to reduce the image to and also how many. The plugin filter will by itself make sure they are equidistant. | |
| The Output control-set | |
| | The output controls does two things: 1. It mixes the filtered image with the original. 2. It changes the colors
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Amount
Mode | Amount determines if and how much the posterized image should be mixed with the original. Mode determines in what way they should be mixed. Less than 100% will mix more or less with the original. 100% is pure filtered image. Above 100% enhances the filtereffect. | |
Hue change | Hue change will alter the output colors, not the selection. If you have selected cyan, magenta, yellow, then you can change these to red, green, blue, for example, but it will still be the same parts of the original image. If you have a colorcircle and set the value divisions and hue divisions to 0, you can see this slider rotate the colors inside the colorwheel.
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Mode | This is a menu with the relevant standard Photoshop blending modes. It determines how to mix the posterized image with the original. The algorithms for these were pubished by Adobe some years ago on the internet.
Instead of doing Amount and Mode here, you could do the same in Photoshop by working on a layer that is a copy of the original. Filter it 100% and as Normal. Then in Photoshops Layers panel you can set the mode there and transparency (amount of blending).
Whats nice about having it in the plugin, is you can do it all in one go and see the effect of various posterization settings for a specific blending mode. Otherwise you would have to create many layers and filter each individually. | |
| Examples of hue division | |
Illustrating hue divisions
| In these examples we set value divisions to 0, which will preserve all brightness values intact.
Images like this have their own beauty, but are most usefull as a layer blended with the original to articulate its main masses of color. Original image | 
| One color We could also set Hue change to -60 to get the same color as the original lotus. In the rightmost example we used Selection shift instead.
There is a beautifull luminous poetry in these monochromes... |  Selection shift 70
| Two colors Tend to produce stark results, since two equidistant colors will allways be complementary and agitate each other and, perhaps, irritate the eye... |  Two colors, no change
| Three colors Three hues are more harmoneous. However we have to shift the selection criteria in order to avoid the splitting up of the background.
The original is a natural triad, so we should be able to posterize it into three hues... |  Selection shift 88 Hue change 10
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| Examples of blending modes | |
The posterization | The
posterization to the right was created with these settings...
Value divisions = 0 Hue divisions = 1 Selection shift 90 (to turn from yellowish to soft orange) Output amount = 70%
By posterizing to the single most dominating color and blending with that, you can achieve fine harmonies with an elegant overall tone.
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The blending modes |  Original photo
|  Normal
|  Multiply
|  Screen
|  Overlay
|  Soft light
|  Hard light
|  Darken
|  Lighten
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| Further information | |
Watercolor | Please go to the tutorial Creating a watercolor look for an example of a specific use of the posterizer in combination with other Power Retouches. | |
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